Ufology Update: AGE OF DISCLOSURE, THE VERY DEEP STATE & THE MILCHAN AXIS

Coauthored Draft — Rich Scheck & M.A. Kayser
Indio, CA — November 27, 2025

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There are moments when two seemingly separate threads suddenly reveal themselves as part of the same tapestry.
The release of Age of Disclosure and the quiet resurfacing of Arnon Milchan’s deeper intelligence connections represent exactly that kind of moment.

One is marketed as a revelation.
The other is dismissed as a footnote.
Together, they expose the architecture behind 80 years of managed narrative.

What passes for “Disclosure” in 2025 is not disclosure at all.
It is psychological choreography — a tightly regulated theatre production designed to establish emotional compliance and limit the scope of acceptable inquiry.

And the public is beginning to notice.

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1. The Documentary That Discloses Nothing

Age of Disclosure presents itself as groundbreaking, “explosive,” a long-awaited revelation.
But its structure — its cast, its omissions, its Pentagon-approved talking points — signals something else entirely:

A coordinated attempt to stabilize the official UAP storyline after years of leaks, whistleblowers, and unplanned turbulence.

The same patterns return:
• Lacatski: NYT Tic Tac piece was “totally inaccurate.”
• Coulthart: Tic Tacs were “definitely Lockheed reverse-engineered.”
• Same ATTIP/TTSA faces delivering the same curated testimony.
• Hollywood polish replacing messy firsthand accounts.
• No evidence.
• No documents.
• No transparency.
• Only insiders whose clearance depends on toeing the line.

The message is familiar:

UFOs are real. They could be dangerous.
Trust our designated narrators.
Increase the budget.
Don’t ask for too much.

This is not revelation — it is brand management.

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2. The Disclosure We Weren’t Supposed to Hear (Eshed 2020)

Meanwhile, genuine high-level disclosure already happened on December 8, 2020, when former Israeli space security chief Haim Eshed stated that:

A “Galactic Federation” prevented Trump from revealing
a U.S.–ET joint base on Mars.

(paraphrased)

That single claim — made by a credible aerospace, defense, and intelligence insider — should have detonated the global conversation.

Instead, Hollywood, Washington, and the mainstream press collectively acted like it never happened.

Age of Disclosure doesn’t touch it.
Because it can’t.

Eshed’s statement exists outside the narrative cage.

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3. Arnon Milchan & the VDS: The Story Behind the Storytellers

Enter Arnon Milchan.

Hollywood legend.
Producer of more than 200 films.
Long-admitted Israeli intelligence asset.
Central node at the intersection of cinema, covert operations, and geopolitical influence.

A new book linking him to the periphery of 9/11 operations only strengthens the thesis:

Israel — via Mossad, Talpiot, Unit 8200, and diaspora intelligence — sits at the core of the Very Deep State (VDS).

Not the “Deep State.”
The Very Deep State — the transnational intelligence-financial-cultural lattice that shapes narratives rather than responds to them.

Milchan is not merely making movies.
He is making myths, and myths are how power writes itself into the future.

Consider the recurring pattern:
• JFK secrecy protecting the Israeli nuclear angle
• Spielberg’s soft-power role in UFO myth-making
• Marvel/Stan Lee shaping cosmic narratives through entertainment
• Epstein penetrating tech/MIC/intel sectors “for… most likely Israel”
• Avi Loeb’s Talpiot lineage + SDI/Star Wars overlap
• Jack Parsons tied to early Israeli rocketry
• AIPAC steering congressional bandwidth
• Greer’s early-1980s Israel ties
• Birnes/Ford on Mossad’s interest in UFO disclosures

Alone, these are curiosities.
Together, they describe an architecture.

The VDS does not need to control every institution.
It only needs to control the story that institutions tell about themselves.

Milchan is one of the story engineers.

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4. Hollywood as the Soft-Power Cathedral

Hollywood is the delivery system.

If Washington is the body, Hollywood is the voice.
If intelligence agencies are the brainstem, cinema is the dream.

The mechanism works like this:
1. Defense/intel seeds a narrative.
2. Hollywood transforms it into myth.
3. Myth enters public consciousness.
4. Policy becomes inevitable.

Spielberg, Marvel, Farah, and Milchan are not random figures.
They are structural components.

They ensure that whatever story the VDS needs — about UFOs, AI, national threats, foreign adversaries — is rendered emotionally persuasive.

Fear travels faster through fiction than through hearings.

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5. The Resistance Layer: The Public Finally Notices

Here is the twist:

The public disclosure movement — long manipulated, distracted, and divided — is now calling out the manipulation itself.

The recent email thread exemplifies this shift.

People are openly stating:
• “Why watch propaganda when we already know it’s a psy-op?”
• “The film is Age of Deception, not Disclosure.”
• “DEWs, not crashes.”
• “Look at Lockheed, not Lue.”
• “Milchan, not Marvel.”
• “Talpiot, not Tic Tac.”

The grassroots are awakening to:
• “scheduled disseminations” (Ramirez)
• Trump allegedly privatizing UFO patents
• Comey/Mueller/Lockheed uranium chain
• Epstein’s infiltration of MIC/high-tech
• Eshed’s 2020 revelation
• Greer’s Israel connections
• The culture-engineering role of Hollywood
• The policy-engineering role of AIPAC
• The myth-engineering role of Marvel/Speilberg

This is narrative breakage.
The VDS relies on passive consumers.
It is encountering analysts instead.

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6. What the Two Threads Reveal When Combined

Age of Disclosure and the Milchan revelations appear separate.

They’re not.

Put them together and you see the full architecture:
• Pentagon-managed testimonies
• Hollywood framing
• Israeli intelligence influence
• Talpiot pipelines
• AIPAC bottlenecks
• Privatized patents
• Cultural myth-making
• Selective censorship
• Controlled leaks
• Scheduled disseminations
• Financial capture
• Technological monopolies
• And a population that is finally comparing notes

This is not a story about UFOs.
This is a story about who gets to tell stories — and who is forbidden to.

Disclosure is not being delayed.
It is being pre-written.

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7. Conclusion: A Single System, Exposed

The truth emerging from these parallel threads is simple:

The Very Deep State is not a hidden government.
It is a narrative machine.
It writes the myths that structure reality.
And for the first time, the public is beginning to see its fingerprints.

Milchan may not be “The Creator” of the VDS.
But he is one of its most effective architects.

And Age of Disclosure is one of its most obvious sermons.

The difference in 2025?

People are finally reading between the lines.