Boomer Doomer Steven Spielberg Forever Cements His
CIA Propagandist Bona Fides As He Further Destroys
His Dismal Legacy As A DARPA-Directed Filmmaker.
Submitted by An Armchair Movie Analyst
SOTN Exclusive
First, watch the predictably stupid and insulting trailer for Spielberg’s Disclosure Day below.
Next, what follows is some Hollywood motion picture history in order to correctly understand who CIA media agent Steven Spielberg really is; and what his main mission has been throughout his entire filmmaking career.
Hollywood and its movie production and TV programming enterprises are all owned and operated by Central Intelligence Agency (which is why the CIA is well known in global intel circles as “The Company”). Of course, the C.I.A. is nothing but the enforcement arm of the American Military Industrial Complex (MIC). And the MIC is but major division within the U.S. National Security State (NSS). And the NSS is a major organ of command and control within Global Power Structure of the extremely well concealed World Shadow Government, which administers the multifarious hidden agendas of the worldwide BEAST System.
The key point here is that every major Hollywood director and producer is, by virtue of the preceding organizational hierarchy, completely owned and operated by the BEAST System. Which means that 79-year-old Baby Boomer Steven Spielberg (SS) is completely owned and operated by the same system. Not only that, Spielberg’s Khazarian bloodline ensured that he would carry out any orders whatsoever in service of the BEAST. And so he has.
Today’s Ukraine is the same geographic location as the Khazar Khaganate of the First Millennium.
And, if you watched the preceding trailer, it’s very easy to see just how well SS (Is “SS” a cohencidence?) carried out his orders. Really, what an unrivaled “UFO” train wreck and “Alien” hot mess right on top of a “Truth Embargo” clusterfuck. Truly, no one does it quite like Spielberg, so prone to perfidious propaganda and prevarication as are ALL of his major feature films that are explicitly about UFOs and extraterrestrial aliens. As follows:
- Disclosure Day (2026): Spielberg’s thrilling sci-fi feature tackles a massive tech conspiracy and an 80-year government cover-up of alien life on Earth.
- War of the Worlds (2005): A dark and terrifying action film where humanity fights off hostile alien invaders emerging from massive, hidden spaceships.
- E.T.: The Extra-Terrestrial (1982): A heartwarming, classic adventure about a lost alien left on Earth and the children who try to hide and protect him from the government.
- Close Encounters of the Third Kind (1977): A suspenseful and awe-inspiring classic about ordinary people obsessed with UFO sightings as the government tries to cover up the truth.
Truth be told, whenever a primo CIA-controlled director/producer is given the credit and control over a major Hollywood franchise such as the foregoing list of UFO/Alien propaganda pieces, they necessarily answer to a thoroughly satanic power that is much bigger than anything we can name in this exposé.
Steven Spielberg and The Pedophiles
Now here’s the dead giveaway, which almost always occurs in plain sight for so many similar NSS movie productions.
Spielberg was inspired by the 2017 article “Glowing Auras and ‘Black Money’: The Pentagon’s Mysterious U.F.O. Program”, published in The New York Times, which he described as having rekindled his interest in the subject.
(Source: Disclosure Day)
Which is exactly why a Jewish boomer like Spielberg (born during the first year of the Baby Boom Generation in 1946) was specifically selected to further elaborate the ongoing and highly obfuscated UFO/Alien narrative on behalf of the NSS. Born in Cincinnati Ohio, SS represents the ‘best and brightest’ of his generation and has served a sort of a story-telling standard bearer for his Boomer peers. After all, we are right in the middle of the End Times and Boomers still sit in all of the major positions of leadership throughout the entire planetary civilization–governmental, corporate, NGO, university, medical, legal, scientific research, etc. Like it or not, what they believe in the aggregate rules the day—every day, until the end of the world in 2030, or sooner, or later. Which is why Disclosure Day was made for them, primarily, and for the subsequent generations to laugh at.
Disclosure Day:
The Last Boomer Propaganda Movie
Now, more to the point. The ‘perfect’ timing of Disclosure Day could only have happened with pinpoint scheduling because Spielberg’s overlords dictated the precise date/time on June 12, 2026. Particularly in view of the MSM barrage of UFO and Alien reports over the past few years, it’s been quite clear that The Powers That Be are setting up all of humanity for a very BIG event relating to this monumental matter.
alBut why now?
First of all, the truth about all things related to UFOs and UAPs, Aliens and EBEs, extraterrestrial civilizations and off-planetary species, Disclosure and the Truth Embargo is as highly consequential as it gets (all of the world’s major spiritual, religious and philosophic paradigms are deeply connected to this emotionally charged topic). Which is why the ever-changing narrative from officialdom has been so carefully controlled, especially since the end of World War II. Even the surprising POTUS election loss of Hillary Clinton in 2016 was determined by this HUGE story. See Why Hillary Clinton really lost the 2016 election
In point of fact, there is no other sphere of life that has seen such an unending profusion of misinformation, disinformation, malinformation and false information as this one. For TBTB know in their bones that when the lid is blown off of this multi-decade conspiratorial plot to deceive the masses, everything changes in a day and a night.
KEY POINT: A large swath of the Baby Boom generation in America was the last to be captured by the 3 major Abrahamic religions. Because of that reality, the many mass mind controllers and social engineers throughout American society, who are closely monitored and managed by the U.S. Intelligence Community, knew they had one last window of opportunity to hit the mark before they launch the latest and greatest version of Project Blue Beam. See: ‘Disclosure Day’ and Spielberg’s Judeo-Christian Alien Myths
Neuro-linguistic Programming
What’s of paramount importance for every movie-goer to understand is that when you step into a movie theater these days you are exposing yourself to all sorts of unwanted and deeply penetrating sound stimuli as well as highly offensive techno-triggers. “Neuro-linguistic Programming” is the name of the mind game here using sine-wave speech.
SINE-WAVE SPEECH &
NEURO-LINGUISTIC PROGRAMMING
The reason why composer/conductor John Williams was pulled out of retirement by SS to compose the highly impactful music for Disclosure Day was because of how vital it is to the neuro-linguistic aspects of this entire cinematographic psyop. (Disclosure Day marks the 30th collaboration between John Williams and Steven Spielberg, in their partnership of over half a century for a very good bad reason). As follows:
Bill: “Disclosure Day” uses sine wave sounds, the same method the actual nano tech antidote will use. People got a little confused from something we posted, thinking the movie will actually deploy the antidote. Please explain.
Gideon: “The antidote is classified. The film has nothing to do with the actual antidote, it is more of a form of predictive programming, or worse, listening and watching the movie could activate the nano tech in some way. I would advise not seeing the film.
The fact it uses sine waves – the same method of the antidote deployment, something we knew of and announced before the film’s trailer was even released – involving a film so deeply wrapped in cabal-symbolism and fingerprints, that alone is remarkable to consider.”
https://www.cbdcintel.org/intel-drop-84
Gideon: “Yes. The antidote is not a pill. It is based, we believe, on sound waves, a series of sine waves that are like a key or code that unlocks the nano tech and instructs it to leave the body.
We think because sine waves are used in Spielberg’s new film Disclosure Day that this is the cabal’s major signaling on this, predictive programming.”
Bill: I was gobsmacked when I first saw it. Very strange to put something like that in a film to begin with, frankly, I’ve never seen or heard it before, but it’s there.
Gideon: “Right, almost certainly predictive programming, or a clue or allusion to the antidote. Something the public will never know or link together. Impossible to be a coincidence.”
Bill: What are other things we know about the antidote?
Gideon: “The nano tech responds by exiting the body over a period of about three or four days once the audio signature is played. We think it needs to be played for about thirty minutes, maybe longer, maybe in intervals.
(Source: COLLAPSE BEGINS: The Coming Timeline)
Predictive Programming
Perhaps above all, Disclosure Day is an extraordinary exercise in predictive programming par excellence.
As for the “predictive programming” breakdown for Disclosure Day, the following 3 analyses in the aggregate present an cogent case for the uninitiated.
Spielberg’s Disclosure Day:
Predictive Programming on Super Steroids
DISCLOSURE DAY flick:
A Compelling Case for Predictive Programming
Spielberg’s Disclosure Day Trailer Proves It’s Not a Movie
Bottom Line:
Don’t even think about watching Disclosure Day … … …
because once you do, you cannot unwatch and unhear it.
An Armchair Movie Analyst
State of the Nation
June 13, 2026
Recommended Reading
NASA’S PROJECT BLUE BEAM: Here’s what you need to know
SOTN Editor’s Note
This is really why Project Blue Beam theorist Serge Monast was murdered.
